Ridley Scott Claims 'The Dog Stars' Surpasses 'Gladiator II' as His Best Work Since 'The Martian'
Ridley Scott has declared 'The Dog Stars' his finest film since 'The Martian,' reversing earlier claims about 'Gladiator II'.

Director Ridley Scott has promoted his post-apocalyptic drama 'The Dog Stars' as his best film since 'The Martian,' according to statements made to industry publications. This assertion contradicts his previous declarations that 'Gladiator II' represented "the best thing I've ever made."
Shifting Assessments on Recent Work
Scott's enthusiasm for 'Gladiator II' proved premature when critics and audiences gave the historical sequel a mixed reception. The director had previously told Empire Magazine and the Associated Press that the film represented the pinnacle of his career. Now, with 'The Dog Stars' arriving on August 28, Scott is positioning the science fiction drama as his strongest recent achievement, raising questions about the director's pattern of overstating his projects before release.
Between 'The Martian' and 'The Dog Stars,' Scott has directed four films: 'All the Money in the World,' 'House of Gucci,' 'Napoleon,' and 'Gladiator II.' All were costly productions that underperformed commercially and critically. Industry observers have noted that 'The Last Duel,' released in October 2021 and featuring Ben Affleck, Matt Damon, and Adam Driver, represented more accomplished filmmaking than several of Scott's subsequent efforts, though that historical drama also struggled to find an audience during its theatrical release.
Plot and Production Details
'The Dog Stars' follows a pilot named Hig, portrayed by Jacob Elordi, navigating a world transformed by deadly pandemic. Alongside his loyal dog and small aircraft, Hig encounters Josh Brolin's character Bangley, a guarded survivor, and Margaret Qualley's medic Cima. The ensemble cast also includes Guy Pearce and Benedict Wong. Production costs reached approximately $100 million, making it another significant investment for the director. The film's late-August placement—traditionally considered a weak commercial window before fall prestige releases—suggests studio reservations about its box office prospects.
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